![]() From this point on, Silva would become an integral part of Twin Peaks, and BOB the primary antagonist. It was at this moment that Killer BOB was born: the pilot script hadn't originally specified what unsettling vision Sarah Palmer had experienced, so Lynch used the footage of Silva at the foot of the bed. When Lynch heard of this, he liked the visual of Silva trapped in the room and decided to shoot footage – just because he's that kind of guy, not for use in the show – of his set dresser crouched at the foot of Laura's bed, staring through the bars of the footboard. While planning a scene in Laura Palmer's bedroom, Silva trapped himself after accidentally moving a chest of drawers in front of the door. It was during filming of this pilot that the idea for BOB began to gestate. He would later work as a props master on Lynch's 1990 film Wild at Heart, and again as an on-set dresser on the pilot episode of Twin Peaks. Silva wasn't originally hired as an actor – instead, he first worked for Twin Peaks co-creator David Lynch as a set-dresser on the 1984 film Dune. From there, he would go on to possess humans and commit terrible crimes, including influencing Leland Palmer (Ray Wise) to rape and murder his own daughter Laura (Sheryl Lee).īut the story of how the late Silva first landed the part of BOB is almost as unusual – and unlikely – as the character's own beginnings.
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